The
marketing for Bridge to Terabithia claims that we will discover
another world of colourful imagination, so I went along thinking about
The NeverEnding Story, which had a similar idea, and was released
over twenty years ago.
The NeverEnding Story had a real
boy enter an unreal world and for most of the movie we see the fantasy
milieu.
Bridge to Terabithia, though, is
not a special effects movie. However, the few effects in it are in spite
of the prominent publicity surrounding Weta Digital, who mastered the
visual effects in it, and who won Oscars for The Lord of the Rings
and King Kong.
The lack of visual surprise should be
obvious to anyone familiar with the source material, which I wasn’t. How
many visual scenes could you fill in a novel, anyhow, with the exception
of Tolkien’s masterpiece and a raft of fantasy novels in your local
bookstore?
The American author, Katherine Paterson,
says on her website that she wrote the children’s book, released in
1977, because her “son David's best friend, an eight-year-old named Lisa
Hill, was struck and killed by lightning.
“I wrote the book to try to make sense out
of a tragedy that seemed senseless.”
What happens in the movie is that we
witness a slice of life, filmed in West Auckland, New Zealand, in a
distinctly rural area covering for America.
Jess (Josh Hutcherson) and Leslie (Anna
Sophia Robb) are in elementary school, obviously a bit older in the
grade. They’re picked on and have various issues going on at home as
well. Both develop a friendship and she introduces the boy to an
imaginary world.
In the movie version, it is unclear why
she is so motivated by having this imaginary life, so it weakens the
narrative. The boy’s life is more detailed and it appears he’s escaping
the realities of his life.
It contains shifting perspectives on the
issues, such as abuse, death, responsibility, the afterlife and the fear
of eternal punishment, complicating the theme, making for a grown-up
family movie.
Taken as a whole, it works. The metaphor
of the land of Terabithia requires a little thought, but the reward is
positive: author Paterson said, “I am Christian, so that conviction will
pervade the book even when I make no conscious effort to teach or
preach.
“Grace and hope will inform everything I
write.” That does shine through here