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Bulworth
Release Date: 1998
Starring: Warren Beatty, Halle Berry, Don Cheadle, Oliver Platt, Isaiah
Washington, and Christine Baranski
Directed, produced, and written by Warren Beatty
Running time: 108 minutes
Rated R (for strong pervasive language, drug use, sexual references, and brief
violence)
SYNOPSIS
A surprisingly entertaining political comedy that features a funny
and magnetic Beatty as the discouraged politician Bulworth, who has
organized his own assassination but, after a three day bender of not
sleeping, decides that he wants to live after all
Review By Blake French:
- Who said they don't make 'em like they used to?
I have seen lots of movies in my time, but I can’t remember screening
anything as witty, as twisted, as entertaining, as outrageous, or as original as
Warren Beatty’s new political satire recently. It is called
"Bulworth," and at times, it is funny, but at others, very dark. I can’t
recall stating that a "serious comedy," is one of the years best films
before. That was then, this is now--and "Bulworth" is truly one of the
better comedies of 1998.
As the movie opens, a United States senator named Jay Billington
Bulworth,
hires a hit man to kill someone of his needs. The hit man wonders exactly who
this person is that a man of such power wishes to eliminate. As it turns out,
Bulworth has paid this hit man to kill his own suicidal self. "If I’m not
dead by Monday, I’m canceling that check." Bulworth states firmly.
This is where the outrageous satire material starts. During a campaign speech
at a local African American church, Bulworth goes seemingly nuts. He begins to
tell the citizens truthful responses about subjects in congress that most
politicians would never think of revealing to the general public. His
representative, Dennis Murphy, who only cares about getting Bulworth elected,
almost collapses in shock and disbelief. But you have to understand, these are
the last days that Bulworth will be alive, so why not reveal secrets, release
envelop pushing information, and start up controversy with the nation.
"Never make life or death decisions when you’re suicidal,"
explains Bulworth during one of the film’s more invigoration sequences. He is
talking to a woman named Nina, whom he met nonchalantly during one of his
presentation speeches. The two of them fall for each other. Too bad Bulworth has
not taken his own advice typed above; his demise is frighteningly near. But is
Nina who she appears to be? Is his wife, Constance Bulworth, having an affair
with another man? Is Bulworth’s death going to occur? These are all reasonable
questions that are answered when you see the movie.
Parts of the film do not work. For instance, the subplot involving Bulworth’s
wife who is adulterous just isn’t detailed enough, nor are the characters
introduced, for us to even consider this anything but a gimmick. True, the
affair does symbolize chaos preoccupied in his household, and establishes
another reason for him to be suicidal. Still, it’s too small for a movie that
offers so many good qualities.
"Bulworth" has a detailed opening that provokes empathy for the
main character, Jay Bulworth. We learn of an external problem, Jay being
involved in a heated presidential campaign, and an internal problem, Jay being
suicidal and calling a hit on himself. The structure only increases in tension
from there. Both conflicts are evolved, with Nina, Bulworth’s sense of
honesty, the hit man’s presence, and several character & plot twists in
which someone is not who they appear to be.
Along with some very dramatic and meaningful moments found in
"Bulworth," also contained is dialogue that is smart, witty, and
hilarious. The first shock sequence is truly outrageous, and the film’s
moderately aggressive sense of eagerness only gets more perverse; the film is
rated R for appropriate reasons, mostly coming from Bulworth’s living style he
becomes involved with. The situations we face here are quite controversial, but
Warren Beatty directs the film with a certain humorous touch. He uses effective
but bizarre camera angles, and a hip cinematographer who creates aggressive
chemistry between Beatty and Halle Berry during their "party animal"
scenes together.
The performances in "Bulworth" entirely demonstrate that Warren
Beatty is not only able to direct, write and produce well, but also that capable
to lead an all star cast, including Don Cheadle, Oliver Platt, Isaiah
Washington, and Christine Baranski, into an Oscar worthy overall appearance. All
of these things contribute to making "Bulworth" one of the better
films of 1998, and I recommend it highly.
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