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The Core
Release Date:
March 28, 2003
Studio: Paramount Pictures
Director: Jon Amiel
Screenwriter: Cooper Layne, John Rogers
Starring: Aaron Eckhart, Hilary Swank, Delroy Lindo, Stanley
Tucci, D.J. Qualls, Tcheky Karyo, Richard Jenkins, Bruce Greenwood,
Alfre Woodard
Genre: Action, Sci-Fi, Thriller
MPAA Rating: PG-13 (for sci-fi life/death situations and
brief strong language)
Official Website: TheCoremovie.com
Production Stills: View
images
Plot Summary: Geophysicist Dr. Josh Keyes (Eckhart) discovers
that an unknown force has caused the earth's inner core to stop
rotating. With the planet's magnetic field rapidly deteriorating,
our atmosphere literally starts to come apart at the seams with
catastrophic consequences. To resolve the crisis, Keyes, along with
a team of the world's most gifted scientists, travel into the
earth's core in a subterranean craft piloted by "terranauts,"
Major Rebecca "Beck" Childs (Swank) and Colonel Robert
Iverson (Greenwood). Their mission: detonate a device that will
reactivate the core.
Reviewed by Peter Veugelaers © 2003
- Better than a cheese royale: buy one while its hot
The Core throwbacks to the apocalyptic
mayhem of Independence Day and Deep Impact, has a Journey
to the Centre of the Earth premise and with its best sense
exaggerates for humorous effect the various clichés and expressions
of disaster stories like what Galaxy Quest did for Star
Trek idiosyncrasies.
The streets of an American city stands still as
people die unexpectedly, while in Trafalgar Square in London groups
of pigeons uncharacteristically fly into store windows, a nod to
Hitchcock’s The Birds, and unusual formations of lights
appear in the sky at night around the world. Government agents
recruit university lecturer and scientist Dr. Keyes (Eckhart) to
uncover the mystery.
Meanwhile, a NASA space shuttle crash-lands in a
Los Angeles public place led off the straight and narrow by freak
occurrences in the core of the earth, as diagnosed by Keyes and
fellow scientist Dr. Conrad Zimsky (Tucci) in an urgent meeting of
national security agents and scientists. They identify the problem
can only be rectified by going underground into the core of earth,
presumably impossible, if it weren’t for a crew headed by NASA
pilot Major ‘Beck’ Childs (Swank) to head for the depths in an
earthworm-like contraption christened Virgil.
The hyperbole comes across as more cynical than
the tones of Galaxy Quest’s; in the latter the parody is
mild-mannered and reverential, in The Core the tone is sharp
and unafraid to exploit clichés boldly, including not taking its
visual style too seriously. The crayon cum pastel aesthetics are low
budget, an ode to less sophisticated special effects of an earlier
time and a playful critique on the modern-day effects movie. This
makes for amusing viewing, more entertaining than if it was really supposed
to be a serious attempt at the end of the world yarn, and
satisfyingly brings to an end the Independence Day style
blockbuster from the mainstream. As well as the several humorous set
pieces the performances by a strong cast make the parody work all
the more.
This ultimately celebrates the apocalyptic
"end of world" genre by parodying it and nods assent to
those that do save the earth by film’s end, except the conclusion
is more satisfying and cogent than most of the films this puts on
display.

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