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The
Hulk
Release Date:
June 20, 2003
Studio: Universal Pictures
Director: Ang Lee
Screenwriter: John Turman, Michael France, James Schamus
Starring: Eric Bana, Jennifer Connelly, Sam Elliott, Nick
Nolte, Josh Lucas, Brooke Langton, Sasha Barrese, Cara Buono, Mike
Erwin, Lou Ferrigno (cameo), Lyndon Karp, Paul Kersey, David
Kronenberg and Michael Kronenberg, Stan Lee (cameo), Kevin Rankin,
Geoffrey Scott, Todd Tesen, Celia Weston, Rhiannon Leigh Wryn
Genre: Action, Adventure
MPAA Rating: PG-13 (for sci-fi action violence, some
disturbing images and brief partial nudity)
Official Website: TheHulk.com
Plot Summary: Bruce Banner (Bana) endures a life without
a past, yet filled with dreams. Adopted as a child, Bruce knows
nothing about his parents and their story. Plagued by unexpected
nightmares and teased by classmates, Bruce continually struggles
with tumulous fits of embarrassment, anxiety and rage. As
a genetic scientist studying the regenerative effects of gamma
radiation on damaged tissue, Bruce wages an escalating battle with
an unknown monster inside him. Catalysed by a freak lab accident,
Bruce's inner conflict culminates when he becomes the most powerful
being on the face of the earth - the Hulk. General 'Thunderbolt'
Ross (Elliot) - backed by an army of tanks, helicopters and soldiers
- aims to destroy the powerful and ever-growing Hulk. In this
exquisitely told and brooding romantic tale, Banner - a hunted
abomination - strives to mend his relationship with General Ross's
daughter, Betty (Connelly), and uncover the answers to his enigmatic
past.
Review By Peter Veugelaers
©2003:
- Better than a cheese royale: buy one while its hot
Crouching Tiger, Hidden
Dragon revealed that martial arts could be part of an Ang Lee
film, which successfully combined pathos, action, and story. Lee’s
adventure with the comic book and blockbuster is almost irresistible
– a lucid, clear piece of storytelling combined with some stunning
moments of visual imagery and special effects.
"Hulk"
is based on a Marvel comics creation about a scientist who because
of a botched experiment goes big, green, violent, (and then cute),
when provoked to anger.
The aesthetic is developed
like a comic book: cinematographic angles and framing with split
screen editing create a surreal comic for the big screen, the best
interpretation of the comic book aesthetic I’ve seen in years.
Characterizations contribute
to this effect. The camera framing and close-ups around Sam Elliot’s
angry, nasty military persona and patriarchal control of his
daughter (Jennifer Connelly) is uncannily like the real comic book
formula where intense effect is generated from use of exaggerated
emotion and the space around the character in the strip.
"Hulk" is on the
surface a fantasy and it shifts comfortably in turns from
introspective character piece to action film, but also has poignant
scenes of intimacy that are moving. The Freudian ideas of repression
and childhood trauma (including themes of soul freedom) form the
backbone of the main character’s psychology and are lucidly
conveyed in quieter talky moments as well as sublime montage
sequences. Ang, with a thematically complex script, captures the
mind of Bruce Banner (Eric Bana) aka Hulk in some splendid scenes of
visual brilliance and emotional poetry. The computer generated Hulk
is convincing and surreal and because of the beast’s soft facial
expressions in moments of calm the audience can feel empathy for him
in spite of his continued ravage.
Connelly looks like she still
rolling from her A Beautiful Mind role as she acts in much
the same manner, although there are some piquant moments between her
and the Hulk and co-star Bana. There is not a lot of connection or
identification with the characters probably because of its comic
book sensibilities, and the pivotal relationship between Bruce
Banner and his father (Nick Nolte) unevenly draws you in and leaves
you distant. The ending is anti-climatic, unsatisfying, and
disappointing, and the film leaves you ultimately unsatisfied, in an
otherwise pleasantly visceral experience.

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