It’s
bogus fantasy which stretches credulity too much.
Peter Veugelaers:
EntertainmentNutz
This
Walt Disney animation is distracting when the ideas speak louder than
the pictures. It poses the idea of attaining foresight in human
dealings, but it takes a young lad, inventor-orphan Lewis, to encounter
the future to realise that.
The
Jetsons set its fantasy family of the
future in the future. In Meet the Robinsons, the latest
incarnation of the futuristic family, called the Robinsons, takes us
through a time warp to the future and back again.
The
future at stake here is a technologically progressive one. The
villainous Goob is bent on controlling it with slavery aplomb and evil
sneer. Goob’s from the future and promotes Lewis’s invention – a memory
scanner – with draconian intent, to a company responsible for many of
the upcoming computer advancements. It’s stolen from Lewis who created
it for a science fair to recall the moment he knew his mother who
abandoned him at the doorstep of a wealthy home. Wilbur Robinson is from
the future and must retrieve Lewis to bring him forward a few centuries
to beat the villain at his game.
Like
Back to the Future classically showed, a character goes forward
in time to alter the present. There are two issues with Meet the
Robinsons in this formula.
This
movie makes me uncomfortable when the older and the younger versions of
the same character are in the same shot together. Back to the Future,
which is hinted at in Robinsons, convinced in its time warp
premise and story telling without making you attentive to the improbable
science which Meet the Robinsons lacks.
Secondly, a statement seems to be made about how positive change for
the future is found in a technologically enhanced society which results
in happy, albeit whacky, family units. The two don’t necessarily mix.
The truth is that technology can separate personal contact in families
as last year’s so-called family movie RV more truthfully noted.
But
when it comes to Lewis’ personal life the theme is more agreeable and
malleable. He’s an orphan who has tried to get adopted but every time
unsuccessfully. Inventing a memory scanner he hopes to remember when he
meets his mother because he thinks she won’t disown him. So, he goes to
work. There is some sticky sentiment herein but it ends touchingly.
It’s
bogus fantasy which stretches credulity too much. The scenes with the
Robinson family are zany and too brisk to appreciate, like buses
charging through computer programmes. And as well as not engaging with a
well developed story, it has overly familiar elements, and there are
only two decent jokes, one at the expense of coffee drinkers which gave
me a knowing smile.